Nirvana - Nevermind - Classic Album Review

Ahh, Nirvana. How can I possibly write this review without speaking ill of the dead?
I can't. But that's OK, because the man was a selfish prick that deserves a lot less idolisation and a metric fuckton more derision.
First port of call is Grunge. Now, not being a HUGE fan of the genre, I can't speak for every band, but, Grunge is just a label. Honestly. The four main Grunge bands that come to mind are Soundgarden, Nirvana, Pearl Jam and Alice in Chains. Now, can somebody please tell me what these bands have in common? I can assure you, musically, it's very little. I suppose the fact that two of the four lead singers have died of heroine overdoses, but that only accounts for half of it (I know Kurt shot himself, but he was going to die from the skag anyway, so I'm including it and there's nothing you can do to stop me!)
Grunge basically came to the forefront when the Sub-Pop record label came along and decided to promote the whole "Seattle Sound" thing, which is what grunge is, basically. That's right, it's a recording sound. Not a genre. Yes, I'm aware that I'm answering my own question. But that question wasn't for my benefit.
These guys should be mentioned for effectively inventing the popularised grunge genre (itself an offshoot of sludge, according to my grunge-loving friend who I won't mention in fear of me being associated with such an individual, but that's another story there) and still continuing today, with less grunge and more awesome (Flight of the Conchords being my personal favourite on there.) That, however, is not what we're interested in, is it? As this is a classic album review, not a classic label review. (Note to self: Force Rex to let me do a "Classic Label" review one day.)
Now, let us continue onto Nirvana, shall we? Specifically, Nevermind. The album influenced a genre, obviously. However, it influenced a genre that lasted all of a week, because people were transitioning between styles and it was a nice, generic sound to jump into without having to concentrate too hard. I find it hard to think of a band that perform with less conviction on recordings than they did. Dave Grohl, admittedly, played fucking hard. Coincidentally, he's the one member of the band I have any respect for. The others, however, put in a performance that was quite bland, I always found.
Smells Like Teen Spirit. Ladies and gentleman, I give you the reason that music is in the state it is today. This lovely little ditty, my friends, brought around the commercialisation of rock music. I won't deny that it is indeed an astonishingly well written song. I will, however, point out to the three remaining Nirvana fans that it is also an astonishingly well written POP song. To me, that's not an issue, as I have this whole concept of liking music for music, not because of what it is. However, most people have taken this song out of its pure pop roots because it has a distorted guitar and whiny vocals. Check it out, though, and you will realise that this song is up there with anything ABBA ever wrote in terms of pop.
So, with that little rant out of the way, I should probably move onto the rest of the album. Although I really wish I didn't have to. Now, it's no secret that I don't really like Nirvana, or grunge as a whole. Because I stated it earlier. Remember? Regardless, I still don't really think this qualifies as an album that shaped today. It shaped a week, back in the early 90's, where clearly people were suffering from brutal head trauma and as a result started convincing themselves that grunge was good.
The rest of the album, thankfully, is a little better than the eponymous single that everybody remembers. In fact, some of it almost reaches the heady heights of "Not that bad" which is quite a feat. I could go into detail about the songs, but you've all heard it and all I'll be reiterating is the fact that it's not influential
Which is really the main point of this article. While this album is still being played today - whether or not I enjoy it is besides the point - I can't really agree that this article has shaped today. It hasn't had any lasting impact on bands since the mid 90's, at least none that have been successful or, let's face it, good. Within it's own self contained portion of that decade, it may have indeed won over a fair few followers and still gets kudos to this day, but it's impact as a musical influence has been nothing beyond minimal.
Now, we have a fun new interactive facebook application for all you people who disagree with me. Feel free to jump on there and correct me as much as you like. I will still tell you you're wrong, but we'll be publishing the best ones online for all to see! Or if you have an opinion you'd like to hear voiced, then send it to me and I will rant away.
So point your browsers to http://apps.facebook.com/jaquebacdddde - ignore the spelling mistakes and get shouting at me!
Click Here To Buy Nirvana Stuff
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Game over: Hildamay at ‘The Walk About’ in Bromley

I found myself waiting patiently for the members of Hildamay to assemble on stage. They appeared to be a bunch of guys with skinny jeans and long fringes swept across they’re faces. The anticipating crowd were welcomed with some fast and furious finger tapping from the guitarist Richard Ostrowski, which led into a chaotic drum solo. This roped in perfectly to the first song ‘Lie Or A Secret’: a fast and thrash driven song that will conjure up any mosh pit. Fast paced guitars and brutal drumming were consistent for the first minute and a half before reaching its ambient mid section accompanied with Josh’s Brandon Boyd vocals. I felt chills going down my spine as the high notes he was reaching were aligned flawlessly with the melodic delicacy of the instruments. These guys really surpassed anything I had thought prior to playing! This jaw dropping display of musicianship sent me crashing back down from a great height with the brutal assault of drumming and shrieking vocals from Josh. It felt as though they were reminding me of the laws of gravity!!

What separates Hildamay from their contemporaries in my eyes is their ability to weave in complexity while maintaining a solid groove in the song writing process. This would appear more applicable to the itunes single ‘Pearls and Diamonds’ as I found myself wanting to dance along with several fans that had already taken the initiative to do so. I found myself caught of guard again when the chorus entered heavier territory.
The crowd mirrored the bands transitions with mosh pits in the heavier moments, dancing in the funkier sections and several fans were singing along to the chorus of ‘Lost At Sea’.
Hildamay’s set reached its closure with the seven minute epic ‘Caught In Crossfire’. I always tell myself at every gig I go to there is a song like no other, a song that will make everyone go crazy and the song that everyone wants to hear: this was that song. This is by far the most encompassing piece of music written by Hildamay as the musicians shift and slide into different transitions before entering a tribal drum solo. I knew that something was building up and so did everyone else as the guitarists intervened propelling these guys into a soaring post-rock outro taking the already euphoric fans, myself being one of them, with them. A stage dive from Josh into the raised fans arms was the perfect ending to the set, validating the unity between these guys and their following and I have to admit I also felt sucked in by it.
Hildamay surpassed my expectations and are truly craftsman worthy of their trade. A band that rebukes being categorised in their pursuit of shaping a sound the way they see fit.
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Placebo
O2 Arena
9/12/2009
Placebo returned to the live arena in their eagerly anticipated biggest UK gig to date at London’s O2 Arena. Supported by Silversun Pickups (good) and The Horrors (mediocre).
The excitement as 20,000 fans awaited Placebo to grace the stage was palpable.
Unusually for a gig, a series of short, arty and abstract films were shown between the last support act and the headliners. It was an odd but welcome distraction, as waiting around for bands to come on stage can sometimes be quite tedious.
Placebo kicked off with For What It’s Worth from previous album “Meds” to deafening screams as the crowd surged forwards trying to get as close as humanly possible to the stage. It soon becomes clear that the precedent for the evening is the new rather than the old. Playing a majority of tracks from “Meds” and “Battle for the Sun”, their two most recent studio albums, they sadly omitted the many classics that created the “Placebo” sound.
Shockingly, Teenage Angst and Nancy Boy were not played (much to the surprise of many). A bold and brave move, clearly highlighting the band’s more recent repertoire of material that is easily forgotten when compared to their older and grander efforts.
Still, they were musically sound with tracks such as Special Needs and The Bitter End sounding polished and they were in general tighter than ever. More intricate and mellow songs such as Happy When You’re Gone were met with dull appreciation until they played Meds – a haunting version far surpassing the album recording. Brian Molko’s vocals were surprisingly faultless, with an endless barrage of energy simply emanating from the band. Stefan Osdal unleashed the inner bass god in a blindingly shiny silver suit and new drummer Steve Forrest pounded fiercely away as though his very life depended on it. No strings were left unpulled as they added to the live ensemble four people playing strings, two backup singers, a saxophone player, keyboardist and an extra guitarist, recreating the huge sound captured on record and catapulted it onto their fans like blinding fire at the O2 Arena.
But still, something seemed missing… the magic wavered at times. The expectation and excitement was clearly there – but by missing out on some of those staple tracks, the gig was something great but nowhere near as euphoric as it sadly could have been.
Click Here To Buy Placebo Stuff
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Ricky Grover
Right, first things first ladies and gents. I went to see Gary Delaney and can confirm that he has indeed dropped his deadpan routine and seems to be having a hell of a lot more fun these days. So, I highly recommend that you all go and watch him.
OK, so now, on with the show.
On this very same night, I went out only knowing one of the comedians performing and a vague recollection of the name of one of the others. Gary was fantastic, the middle performer was anything but and the MC was more than competent enough to ensure that the crowd were entertained while going to the bar.
That name I vaguely recalled? Ricky Grover
Not everyone will know it, what with him being far from a household name. He did appear in an, essentially, awful TV series with Johnny Vaughn nine years ago and appears in various other things on the odd occassion. Regardless, he's a bit of a dodgy east london character who just happens to be rather funny at the same time.
Obviously, intoxication may have got the better of me at the time, but I still found the man to be highly enjoyable. Starting off with a threat to the heckler at the front (who was slightly more intoxicated and infinitely more prickish than I) set the tone for the evenings entertainment. Quite clearly an aggressive individual with a bone to pick with probably everybody reading this article, he still manages to charm the audience. Maybe not so much charm as intimidate, but regardless the crowd went with it. Interacting with the crowd and one of the funniest off the cuff references to the audience made the night highly enjoyable. Bringing up subjects such as being a larger individual and trying to get himself motivated, he does bring up subjects we can all relate to and get a few laughs from them all at our own and others expense.
There are faults, as always. He could be a little blunt and not too sophisticated, but this doesn't hurt his particular brand of comedy. But his particular brand of comedy may hurt you should you not find it funny. But most people will enjoy this, or at least get a few laughs from it. Not highbrow, not clever but well worth a giggle if you get the chance. Especially the way he winds up at the end of the set, turning from a shady character to a larger than life characature of what people are expecting of him
Oh, also, don't mention the fact he used to be a hairdresser. He hates that.
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TURBULENT SOUNDSCAPE, PHOENIX, APHRODITE & SCHISM NEWS
Turbulent Soundscape (DJ Rex)
More crazy times at TS Towers!! :)
Fright Nite is having some great events in the Town Hall, a HUGE pub in Staines, with bargain drinks prices and a MASSIVE dancefloor, it seems we will be having days that will be remembered as fondly as anyone’s fav venue over the years, we even celebrated our 19th birthday in there!!
Many live nites coming up as well - For all gig details check our newly launched website, www.phoenixmusicpromotions.co.uk the site features, a calander, videos, club news, gig info, a forum and SO much entertaining stuff!!
Equilibrium returns to the Sound Circus in Bournemouth on the 19th of Feb, with Al B Damned, Yesterdays Trash Queens and Burnt Earth, plus a whole club nite as well!! For the Facebook event click here
Of course, Turbulent Soundscape might have your picture in our archive section, head to www.turbulentsoundscape.com
We now have 2 Sister companies, Phoenix Music Promotions and Aphrodite Entertainments, News here –
Phoenix Music
A new nite “Heresy”, a Dj free for all, the last Friday each Month in Egham, held at the Working Mens Club next to the Fire Station, CHEAP drinks and a huge space to dance, park, smoke and drink!! £4 entry, opening nite deal 2 for the price of 1 if you’re signed up to our Facebook group or to www.phoenixmusicpromotions.co.uk
Then Brighton with “Hidden Generation”, held in the Hydrant, aka the Hare and Hounds, a Rock n Roll extravaganza, Live bands opening the nite, followed by a full on club nite with performers and all sorts of crazy stuff!!! :) the 1st one of those is the 12th of March, so get down for a great party!!
Tuesdays is now not dull as well, we have Psycho City in the Purple Turtle in reading!! ;) A nite of Rock n Roll, Blues and Soul, also Djing is the ever eclectic Jony Indudus!!! www.purpleturtlebar.com
Aphrodite hits London with some awesome parties -
3 Events in London – 1st, is `”Velvet Highway”, the Interactive Rock n Roll Circus, top tunes from me and Simon B-Movie, we’re gonna mix up everything it’s possible to mix from the history of whenever there has been an underground scene!! Facebook event
The next thing Aphrodite will bring you is “Flame”. On Thursdays in central London, at the infamous Jet Black!! Flame will be a nite of pure and sleazy rock n roll, of fire breathing, of performers, lots and lots of good times!! This all kicks off on the 4th of March, hope to see you there, whether you come for the show, or the venue, or the music, or the drinks, or whatever you come for, a great nite is guaranteed!! :)
Then Aphrodite brings you live nites at The Gaff, always the last Thursday each month!! Watch this space, or check the facebook group,
The Aphrodite web site will arrive soon as well!!
So, a quick recap, tueadsys, the Psycho City in the Purple Turtle Reading, Weds, Fright Nite, the Town Hall Staines, Thursdays, Live bands in the Town Hall Staines as well as the Gaff, also on Thursdays, Flame at the Jet Black, first Friday each month, Velvet Highway in Kings Cross, 2nd Sat from March 12, Hidden generation in Brighton, Last Friday each month, Heresy in Egham!! Enough for now??? :) More coming!!!!
And nowwww, Schism (Tom Wavre)
On Wednesday 13th Feb 2002 Schism was born.
Next month we celebrate our 8th birthday (8 fucking years!!) - it doesn't seem real... and in time honoured tradition we're gonna celebrate, however we're going to do things a little differently this time around.
Why have just 1 party when you can have 2 I hear you ask?
So that's exactly what we're doing!
Friday 5th Feb - Schism 8th birthday (PART I) - Ladies Night
Friday 19th Feb - Schism 8th birthday (PART II) - Mens Night
It's really quite simple - the first night is one for the ladies. If you are a lady and you get there before 11pm then it will be completely FREE to get into the club. If you are a man then the same applies to you at the next event. Consider it our way of showing our appreciation for the incredible support you've given us over the years :)
But that's not all!
The first 100 people through the door on either night will be offered a FREE glass of bubbly upon entering the club!
Also launching at both events is Schism membership for 2010 so be sure to get on that asap. More details to follow.
Visit www.clubschism.com or our facebook to get all pics, event info and other news as it happens.
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Global Citizen & Yesterdays trash Queens
Here at unsigned stage, seeing so much music as we do, it may appear that there are always good bands that are worth talking about for the right reasons, but unfortunately there are a few that miss the mark by a country mile and couldn’t keep in time if they were trying to beat out a fire. Or have such varying influences that it tends to leave one bloke looking like Axel Rose after falling on hard times and getting his wardrobe from Tescos, with one of the of others looking like a missing member of kraftwork and leaving some poor bloke at the back valiantly trying to keep it all together on the drums completely lost. This is just as important as the good bands and as I know, sometimes it can be more entertaining. Suffering through totally disjointed sets that will never be remembered for the right reasons makes discovering a band that I want to write about even more exiting.

One such band I was lucky enough to catch was Global Citizen playing a set this last month and from the start it was clear that they were definitely a different proposition. Only a matter of moments glancing over at the band showed that stagecraft was, thankfully, not dead. These guys have honed their style, as well as their lyrics, to become unique. Elements of their electro-gothic synthesizer keyboard based set reminded me of the darker glory days of Gary Numan but still retaining a definite originality. Their E.P follows further into a dark and twisted lyrical nightmare of sexual perversion and fetishes. Songs titles like “B*kkake smile” must give some indication of the intent of the lyrics. Sometimes cutting and pulling no punches, with a level of intelligence and witticism that is not lost behind the graphic representations of the music. A very clever title in the middle of the album “Eastern Promise” did raise a wry smile once the song started.

In one of my other reviews I saw Smokey Bastard, a supporting act that managed to pick up a whole audience and steal it away from the headliner. On that same night, I caught the opening act, Yesterday’s Trash Queens, who need to be given credit for opening up the events of that evening with a rare energy. Happily I saw them again headlining their own line up and they proved that the last performance was no fluke. The venue was heaving more than for any average local band. With the amount of gigs this band have under their belt it is clear that they have amassed their own following and not just a friends and family outing. Their set showed the intensity of early Lostprophets and their lead singer, known as Pirate, surprises with his strong vocal style and low southern growl that should not be contained by someone of his stature. Their up-beat brand of rock got the crowd moving and probably picked up some more fans in the process. From this promising start it is apparent that Yesterday’s Trash Queens could become at least “a local celebrity band”, if not even “the next big thing”. With more gigs planned all across the south of the UK they certainly won’t be staying local for too long.

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Our friends at PromoFabrik send us an Interview with EBM legends Nitzer Ebb!!
PromoFabrik - Hello guys,
thanks for giving us the chance to ask some questions about Nitzer Ebb.

PromoFabrik -You have been around since 1982, when you founded the band, what dreams or ideas did you have you wanted to pursue?
Bon Harris - Initially we formed the band for our own entertainment. We lived in a small town with not much going on. We wanted to create our own excitement. We didn't want to do the same old thing, musically, visually or stylistically. So we developed the sound and presentation as we went.
PromoFabrik - Surely DAF and Die Krupps are two bands with influence on you. What did inspire you back then and also today to write lyrics and compose songs?
Bon Harris - Yes, DAF were obviously a big influence. It was a very inspirational time to start making music. Synthesizers were starting to become more available, and it seemed there were a lot of possibilities for making electronic music. It also was exciting to have a punk rock kind of band, using what was then new and unusual instruments. I still like that idea, of taking a conventional form, like Rock and Roll, and subverting it a little. The inspiration to continue comes from a deep and ongoing love of music.
PromoFabrik - The big breakthrough came with the support for Depeche Mode on their “Music for the Masses Tour“ in 1987/88. Looking back to it from today, how do you feel about it?
Bon Harris - Looking back, that was obviously a turning point. I don't think we ever really considered ourselves in that kind of large, mainstream environment before then. We adapted to it quite quickly, and found that we were actually quite well suited to it. It changed us as performers, we learned more about putting on a show, entertaining a large, and sometimes indifferent or even hostile crowd. We learned to be more professional. We did a lot of growing up there.
PromoFabrik - The 1991’s record „Ebbhead“ is claimed to be one of the crucial albums of the industrial/EBM-movement of the 90s. What do you think made it so important and special?
Bon Harris - Like all of our albums, I think it was the combination of elements that we were looking to combine. There was a lot of Rock influence on that album, but it was filtered through our minimal, electronic approach. I think we were also starting to stretch the boundaries of what was expected from our "scene" or genre, at the time. Perhaps it's too simple to say that we were "crossing over" into more mainstream, but it felt something like that. More accessible to more people.

PromoFabrik - in 1995, Nitzer Ebb released "Big Hit" and shortly thereafter you split. Is there any connection between the two events?
Bon Harris - Yes and No. "Big Hit" was a product of that time, and, looking back, we were winding down as a band anyway. We were making that album when things were coming to an end, or a break. We didn't know that when we started, but it was clear by the end of that record. Time to do something different. We are all still very proud of that record. It's our most misunderstood work.
PromoFabrik - What have you all be doing in the inbetween time after "Big Hit" until the reunion as Nitzer Ebb?
Bon Harris - I lived in Chicago for a while, and got into producing music, starting with a band called 13mg. Then I moved to LA, carried on production with Billy Corgan, Marilyn Manson, Linda Strawberry and did synths and programming for a whole host of artists. Along the way I went back to school and learned to compose and arrange for orchestra, and did some scoring for film and TV. I also started another musical project called Maven - we wrote and produced an album that I was very happy with. recently Jason and I collaborated on a project that may turn into a larger theatrical production, so we'll be writing music for that.
PromoFabrik - What was the ultimate trigger to get together again to start working on the Nitzer Ebb adventure??
Bon Harris - Probably Terence Fixmer. He contacted Doug to work with him, which eventually led to Doug contacting me about Nitzer Ebb, and Nizter Ebb getting back onstage.

PromoFabrik - Finally, after 15 years of waiting, the new album "Industrial Complex“ will be released in a few days. What do you think is different and similar to those releases of the 90s and 80s? How did you develop?
Bon Harris - I think we mainly became more comfortable with life and our place in it. We have a greater awareness of what Nitzer Ebb does well, and what it's not so good at. So we just focused on the basic strengths and worked with them. Experience is also a great help. Problem solving becomes fun when you have knowledge to apply to it. Teenage angst was fun as well, but it can be time consuming and tiring.
PromoFabrik - Who made the first step ahead towards a new album?
Bon Harris - Mutual decision basically. After the reunion shows went so well, it was an obvious next step really.
PromoFabrik - What does the name "Industrial Complex“ stand for? Do you like to name it a conceptional album?
Bon Harris - We were initially working at the peak of the Bush administration. The post world war 2 concept of when the Military Industrial Complex was horribly alive and evident. All that had been warned of, and more had come to pass. That was bound to influence our thinking. That was the serious part. On the lighthearted side, it seemed that no matter how much we tried to experiment, and push boundaries, our work was always labeled the same thing. EBM in EU, Industrial in the US. So we had a little laugh at ourselves really.
PromoFabrik - Did you change the approach to songwriting over the years?
Bon Harris - Yes. Obviously going to school and learning more about composing, combined with 25 years practical experience, that will have an effect on the writing. You have more options, and more ability to express yourself. You have more space to play with things a little.
PromoFabrik - There has been major advances in technologie since "Big Hit". Did you use all the new opportunities or did you prefer to work with the old equipment in order to maintain the „authentic“ Nitzer Ebb sound?
Bon Harris - We used a hybrid approach. New technology is great for post production - developing, editing, refining and so on. I think the older tech is better for writing, for the initial creation. Keep things simple, honest and emotional in the beginning, then you can use all the tech toys to polish an already good idea. Hands on, physical instruments are still best for that initial idea, be it a synth with lots of knobs, a piano, acoustic guitar, voice, whatever

Bon Harris - Let me go into the details of some songs. Please, let us know some of your thoughts and ideas to the following songs:
"Once You Say“:
One of the first ideas to come. We took a basic approach to just playing together, and OYS was a sign that it was going to work well.
"Never Known“:
This track really puts a lot of good basic elements together. Simple, driving bassline, great emotional performance from Doug, and arse kicking drum performance and arrangement from Mr Jason Payne.
"Payroll":
From the same crop as OYS. Sort of a "Jam session" - even though I dislike that term - subconcious, spontaneous, and another cracker lyrically and performance wise from Doug. The track came together quite quickly, quite naturally.
"I Don’t Know you"
A little bit of a departure in some ways. Mainly in the song structure. Perhaps a bit like an indie rock track, with more traditional NE instrumentation.
"I’m Undone“
Came from a really basic idea on the piano. I like to play piano first thing in the morning, before I talk to anyone, I make a cup of tea and play for an hour or two. That idea came one morning. I would develop it during tea breaks in the studio, and Doug would listen whilst making the tea. We put the ideas together - and there it was. Very Tea influenced. We were able to get a bit more sophisticated on the production and arrangement - it seemed to fit the style of the song. I'm not surprised that Alan Wilder chose it to remix.
"Kiss Kiss Bang Bang“
We'd reached a point on the album where we had covered quite a lot of what we set out to do. We had a bit of freedom to just mess around a bit. The song came from a quite basic approach. The trusty MPC sampler/sequencer linked to an Elektron Monomachine. The track, musically was definitely influenced by the means of production.

PromoFabrik - You still work together closely with Depeche Mode (the producer Flood, Guest vocals by Martin Gore, tour support). What is the nature of the connection between them and you?
Bon Harris - Mute was the basic connection initially. We are also from the same area of England. As we toured with them, and worked together we found we share a lot in common and get along very well. We formed a good understanding, and a good friendship that has lasted over time.
PromoFabrik - What music do you listen to at home in your free time?
Bon Harris - Lots of orchestral music. Debussy, Bartok, Stravinsky. Big band - Ellington is the king of that obviously. Also lots of my own music as I'm always writing and practicing.
PromoFabrik - What are the last three albums you have purchased?
Bon: Elgar - Enigma Variations (I bought the score as well), Bernard Herrmann - "Vertigo" soundtrack - a classisc. James Brown - greatest hits (had it on CD, lost it or broke it, so I re-bought it).
Jason: Kid A, Helmet (the red one), Wu Tang Clan (the flag one).
PromoFabrik - You will be on tour with Depeche Mode and as Headlining shows as well. This will take you across Europe for the next three months. How do you keep yourselves fit and recreate. I guess this must be very exhausting in a physical, but also in psychological regards?
Bon Harris - Pre tour is lots of exercise and diet. Running, walking, not too much fatty food, not too much alcohol, and tragically, not much bread. It takes discipline sometimes. On the road, you do what you can. It's not easy, there's a party atmosphere, good food on the days off etc. Mentally, just try to find space when you need it. I take an instrument with, usually a travel guitar because it's immediate and portable. Read a lot, write a lot, try to take in as much local experience as you can, all the while conserving energy for the show.
PromoFabrik - What do you get up to after you finish the last gig?
Bon Harris - See my family in England. Send time with my Lady. Write some music, go for walks, eat bread. Lots of bread.
PromoFabrik - Many thanks for the answers and your time. We wish you much fun and success on the tour! Do you have any last word to the fans out there?
Bon Harris - Just to say thanks for all the incredible support. The headliner shows in the US and EU have been amazing. We're very lucky to have such patient and dedicated fans. Obviously we could not do it without you.
Cheers!
Bon Harris
by PromoFabrik - January 2010
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Wax Trax Records
Wax Trax! Records, made it’s name on a world stage as an independent record label in the United States, but what did it start it’s life as?? Wax Trax! humble beginnings were as a record shop in Denver, Colorado started by 2 visionaries Jim Nash and the recently deceased Dannie Flesher.
  
The store was sold in 1978 and, in November of that year, re-opened under the same name at 2449 North Lincoln Avenue in Chicago, Illinois. This store quickly became the center of everything Alternative in Chicago, leading the market in New Wave, Punk Rock and Industrial music.
Slowly but surely the store became the record label, initially releasing limited edition records such as Brian Eno's "Wimoweh/Deadly Seven Finns" 7”.
The first official Wax Trax! release was by Strike Under, with their Immediate Action 12” EP in 1980, followed by a release for an, at the time, little know singer and actor Harris Glenn Milstead better known by his drag persona Divine, with a 7” single called Born To Be Cheap, but it was the release of Cold Life by Ministry, along with the licensing of Front 242's Endless Riddance EP, that set the stage for Wax Trax! to become America's number 1 industrial music and dance label of the 1980s and 1990s.
The list of acts who had their names made by Wax Trax! reads like a who’s who of the the biggest artists the industrial genre has ever known, some of the most famous being, the legends that are Front 242, the genius of KMFDM and PIG, Underworld (yes the ones you might know from Born Slippy), Meat Beat Manifesto, Front Line Assembly, Young Gods, Sister Machine Gun, My Life With the Thrill Kill Kult, Coil, Controlled Bleeding, Soundmachine, the Revolting Cocks and Laibach even The KLF had some time on Wax Trax!
The industrial scene has always liked it’s side projects and Wax Trax! didn’t disappoint there either, releasing music by Al Jourgensen and Paul Barker of Ministry, with stuff like Acid Horse (a collaboration with Cabaret Voltaire), Pailhead (a collaboration with Ian Mackaye of Fugazi),
  
PTP (short for "Programming The Psychodrill"), Lead Into Gold (a solo vehicle for Barker), and 1000 Homo DJs.
As a little sidetrack and to hopefully point out the far reaching influence of this label, I’d like to digress and talk about another label that grew out of the same area, that was the Chicago House label, but this is a review about Wax Trax! so I wont get too far into that for now, maybe another time, but it would take a very narrow minded person to think there was no influence from Wax Trax! to Chicago House and of course the other way. It is even rumored that both labels shared an office for a while, as well as some of the same staff. So does all that mean Industrial and House came from the same source?? Does it also mean we should all crack our minds open just a little bit more and realize if it’s not you scene, it might still be good, personally, I’m sure the people behind Wax Trax! and indeed every great uprising and musical revolution would probably say so.
 
Although I do feel the need to spend a brief moment on Chicago House, just because I feel it to be relevant to the whole story here. They were the originators of “House” music, when the drum machine revolution arrived, Underground club DJs played Italo Disco tracks like "Dirty Talk" and the "MBO Theme" by Klein M.B.O., Early B-Boy Hip Hop tracks such as Man Parrish's "Hip Hop, Be Bop (Don't Stop)" and Afrika Bambaataa and the Soul Sonic Force's Planet Rock and Looking for the Perfect Beat as well as electronic music by Kraftwerk; these genres were influential to the whole Chicago genre of House, it would be easy to sight Kraftwerk’s influence on the whole Wax Trax! sound as well, similarly it would be easy to see some sound similarities between the electro Hip Hop sounds and some of the Meat Beat Manifesto tracks.
“B-boy Hip Hop” oriented tracks like “Come to Me” by Gwendolyn and “Dum Dum” as well as the Italo Disco influenced “Under Cover” by Dr. Derelict released the first Chicago home made house hit, “On and On” (1984) which had hypnotic lyrics, driving bassline, and percussion. This was the first house record pressed and sold to the general public.
In 1985 things really took shape with, Mr Fingers's landmark "Can You Feel It?"/"Washing Machine"/"Mystery of Love" showing a jazz-influenced, lush, sound that was created using a Roland TR-707 and Jupiter 6 synthesizer, (Synths that can be heard in Wax Trax! releases as well) This song helped to start the trend for the Deep house genre, In the same year, Chip E.'s "It's House" is a good example of the Chicago House Music style. In 1986, Phuture's "Acid Trax" showed the development of a house music subgenre called acid house which arose from experiments with a 303 machine by Chicago musicians such as DJ Pierre. The 303 provides bass some awesome bass sounds and can still be heard in today’s industrial movement.
Early house recordings were Frankie Knuckles' "Your Love"; "On and On" by Jesse Saunders (1984) and Chip E.'s "The Jack Trax" “It’s House” and “Time to Jack”, which used complex rhythms, simple bassline, sampling technology, and minimalist vocals. Similar recording techniques to a lot of the electronic side of the Waz Trax! label as well.
  
By 1985, house music dominated the clubs of Chicago and I’m sure we all know what’s happened since then.
At this time Wax Trax! were releasing albums from the likes of Ministry, Rev Co and Front 242, with Laibach and the Young Gods coming over the next couple of years. Interestingly enough, rave masters the Prodigy have sited 242 as an influence and even remixed one of 242’s tracks, the Young Gods did an “Orb Style” remix on their track “Skinflowers” Another point that makes me believe there was an influence between these 2 originating labels
Times seemed good for Wax Trax!, but unfortunately, in 1992, Wax Trax! hit bankruptcy, thankfully though, New York-based TVT Records came to the rescue and bought out the label, leaving Nash and Flesher with the creative control. TVT continued to use the Wax Trax! logo for years, even after tragic loss of Nash on October 10, 1995.
Something this writer would recommend to all those who aren’t familiar with the Wax Trax! sound, is to check out something TVT released in 1994 called Black Box, this stunning compilation brings together, the first 13 Years of the Wax Trax! label. Black Box is a 3-CD box set compilation of the label's biggest hits. However, due to licensing issues arising from the label's bankruptcy, this box set did not contain any material by Front 242, even though 242's single "Headhunter" had been the label's best-selling record to date.
A video compilation of the same name was also released, containing music videos by label artists (and likewise omitting Front 242's "Headhunter" video.)
There has been many incidents of the sound bought to life by both Wax Trax! and Chicago House stamping their own mark at the same moment, I would say the best example being when Bill Leeb (ex Skinny Puppy) teamed up with Rhys Fulber and created Front Line Assembly, with Fulber going on to produce for Industrial Metal legends Fear Factory and then carrying on to form Delerium and proving what a far reaching grasp Wax Trax! and indeed Chicago House still has.
The news that inspired the writing of this review was the announcement that the remaining co-founder of Wax Trax Records, Dannie Flesher, passed away Tuesday, the 12th of January 2010.
Of course I never met either one of the legends that started Wax Trax!, but their influence on me and of course all contemporary music, was literally life-changing.
This label was the one that introduced me to a lot of awesome acts, some of the amazing acts I remember having great joy in discovering from them were, Sister Machine Gun, Pig, Meat Beat Manifesto, Front 242 and during the TVT years, Nine Inch Nails. Industrial music has been something I have loved to Dj for a many years now, my time at Slimelight, the Electric Ballroom and the clubs in Europe and the USA, this sound has very much dominated my sets and Wax Trax! is totally on the list of people I need to give a nod to for creating a large chunk of my career. In fact some of my all time favourite acts could probably say the same, Pop Will Eat Itself, Utah Saints, of course, the KLF.
  
The list of current acts that should be doing tributes and publicly thanking this institution for laying down the groundwork for their scene’s is too long to mention, but a few might be Rammstein, The Faint, Wolfsheim, Chemical Brothers, Combichrist, Prodigy, Pendulum, La Roux, Inapartysystem, Haudken!, Pitchshifter and Enter Shikari, to name just a few of the several thousands that should offer an acknowledgement to these legends.
I also wonder how many acts currently out there really owe a nod of thanks to these 2 people, to this great label, for without them, maybe things now would be very different, it’s a sad loss, but Jim Nash and Dannie Flesher’s influence will be felt for a very long time, let us all hope their name shall be done justice by the people who take up that sound for future generations.
Click The L:ink Below For The Relevant Artist Merchandise:
Front 242
Ministry
Laibach
Front Line Assembly
Coil
Controlled Bleeding
Nine Inch Nails
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DJ: Addam Bombb
Greetings from NYC! Next month we'll have that long awaited interview with The Cruxshadows' founder and lead singer Rogue. They'll be fresh off of their 2009 European tour, and arriving just in time for a huge birthday bash - Johanna (violinist extraordinair!) and mine! Fortunately, my odometer broke so we'll leave it at that...

So this past November my good friend Addam Bombb and I were spinning the same venue, and since he's from out of town I thought it only wise and proper to have him do the "round robin" with me before his scheduled set. We had a blast!
Addam Bombb is a talented hard-hitting DJ, artist, musician and has a diverse background that gives him a unique flair for his creations. He takes life by both horns and lives it to the fullest. Like any good artist, he's had his share of victories and hardships, but he just keeps going and as such has earned my respect. Since its rare that he and I get any time together, I figured an interview was in order. So, what the hell, I asked a few questions between mixes. Here they are... enjoy!
How long have you been a Deejay?
I've been a DJ professionally for 14 years, since 1995.
How did you get into it?
I started as a drummer playing in rock n roll bands, then I started doing broadcasting and radio production in school. From there I started working for the largest mobile dj production company in Boston. I cut my teeth there playing in hip hop clubs, rock parties, karaoke nights - any dj gig I could get. Then I started doing lighting at Manray, and started DJ'ing & next thing I knew I was DJ'ing all over the dark alternative dance scene.
What are your influences?
David Bowie, Kiss, Alice Cooper, Motley Crue, Hanoi Rocks, The Damned, The Sex Pistols... I could go on for days and days and days about influential music. The same time there was disco, Blondie, and New Wave. Duran Duran, oh my God!
Any drama and hardship that you've had to endure just to be in this line of work?
Hardship or drama? As a DJ...? NEVER <insert sarcasm>
What other art do you create?
I do alot of photography, I make jewelry, like chain mail, I wish I could paint but I'm not very good at it yet, I make some original music, (cocks head and rolls eyes) i like walks on the beach and riding my bicycle.
Any advice for the newbies?
Dance, have fun, pay attention to your audience and make sure they have fun. AND FUCKING LEARN HOW TO MIX FOR CHRIST'S SAKE!
So you can check out Addams's work at www.addamidiom.com
Happy Holidays everyone!
Until next month,
Ian Fford
www.ianfford.com
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Sex Crimes Cabaret
Sex. It brings us together. It tears us apart. Its at the core of who we are. Most of it has been illegal at some time or another. Are you a criminal? How would you know if you were? You can find out!
My good friend L. Gabrielle Penabaz, a.k.a., Saint Eve (among other things) invited me to be a tech on her performance, Sex Crimes Cabaret. I'm super busy these days but something told me I should accept... something deep inside me (*ahem*)... and since I could never say "no" to Gabrielle, or a large coffee, I jumped onboard and had quite a ride. (*cough cough*)

Without giving away too much, Sex Crimes Cabaret is a jolly romp through various legalities, religious doctrines and moral stances on human sexuality. The show is often "naughty" but not "dirty", and its nothing short of genius. Its not quite a cabaret, but its not quite a History Channel special. Its comedy. Its tragedy. Its surprising. Its enlightening. It makes you think.
Sex Crimes Cabaret played in New Orleans in Spring 2009, and NYC, during the first two weeks of December 2009, and will return in 2010 to NYC, New Orleans and more. Most nights in both cities were sold out, and working backstage gave me a new appreciation for true theater.
 
Now if you'll excuse me, I have some laws to break.
For more information check out: www.sexcrimescabaret.com
also - see our interview with Sex Crimes creator L. Gabrielle Penabaz
Love from NYC!
Ian FFord
www.ianfford.com
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| Ancestors - Of Sound Mind |
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Maybe I should take back back all I've said about stoner rock or maybe not because this LA band come at it from a totally different angle slow driven prog psychedelic rock with huge swathes of Hammond organ and clean vocals, they have immersed themselves in the best the 70s had to offer such as Pink Floyd, King Crimson, Hawkwind and brought it screaming into the present day producing an album that demands your full attention, so set yourself aside an hour ten minutes with no distractions and lose yourself in the journey that Ancestors have set to record.
Out Now On - Tee Pee Records
Web Site - http://ancestorsmusic.com/ |
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| C-Drone Defect - Dystopia |
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I have a love of Industrial harsh electronic music but it's just to easy to make, so the scene is just over crowded with average or just bad outfits doing this type of music and the internet is not helping there is no quality control, some labels just seem to release music because it's cheap to do. This leads to having to really search for anything of any value but sometimes it's worth the time and effort when you stumble across such an album as C-Drone-Defect have released. This is a huge slab of dark brooding Industrial that leaves you cowering in the corner, forget any dance floor hits this is is not what what this album has to offer (ok if you get the deluxe version there are dancefloor friendly remixes) every sample seems to just add to the effect and my god the vocals just hammer it home. Why oh why can't there be more in this scene of this quality.
Out Now On - Noitekk
Web Site - www.cdronedefect.de
Click Here To Buy C-Drone Defect Stuff
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| Junius -The Martyrdom of a Catastrophist |
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How the hell do you put into words how this band sound, they prove you can still be unique within the standard band set up, if I was going to compare them to another band I would say Radiohead but in the way they push at the boundaries and take risks, but even if that seems like it's something they set out to do, it doesn't sound like that to me, more this is the natural music Junius make, the same way Muse do, so different but accessible but not pop like Muse more Shoegazer with such soulful vocals, Sh*t looking at what I'm writing here it probably doesn't make much sense, this is band you have to hear for yourself then hopefully you might understand this review.
Out Now On – Make My Day Records
Web Site - www.juniusmusic.com
Click Here To Buy Junius Stuff
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| Massive Attack - Heligoland |
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Massive Attack seem to be carving out their own place in the world of music, no longer reliving past glories but creating modern music for smoke filled bars where their tunes can drift and intertwine with the atmosphere. Each vocalist well chosen adding their own colour to the songs. One thing that must be said this is no Mezzanine but an album that stands on it's own, moving beyond the normal confines of Trip Hop in fact in places a lot darker than most other music of this style out there.
Out February On – Virgin
Web Site - http://massiveattack.com/
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| Shrinebuilder - Shrinebuilder |
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Doom/Stoner metal has always been hit and miss with me or should I say more miss see I'm a huge Sabbath fan so most bands playing this style always sound like second rate copies or just like the band were just too stoned to be in a studio, so imagine my surprise on hearing this lot, drawing on garage, psychedelic and Sabbath to create the sound others have tried to nail for years. But if this super-group couldn't then who could and we are talking pedigree band members coming together here, they include Saint Vitus, Melvins, Sleep, Neurosis etc. They have mastered the art of playing slowly, ask any musician they will tell you it is so hard to play slow and make it sound this good.
So this is a must for lovers of slow fuzz driven early 70s hardrock/metal. Oh a footnote this took three days to record wow.
Out Now On - Neurot Recordings
No Website
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| Swallow The Sun - New Moon |
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Before anyone gets the wrong idea this has nothing to do with that awful teen vampire movie, now that's cleared up lets get onto the must have album for fans of Opeth and Katatonia (to these ears this is better than the last Katatonia outing). For those who don't know this band they originate from Finland and this is their forth album, and what bleak landscapes this lot paint with their music lightly peppered with touches of bright melody. Any artist will tell you when you use contrasts you will make the dark seem darker and light shine, Swallow the Sun use this to it's best effect, so here's hoping this album will put them up there with the other masters of this unique genre of metal and lovers of music who want more than just music to have on their Ipods to walk to, but music they can truly sit down and get immersed in.
Out Now On - Spinefarm
Web Site - www.swallowthesun.net
Click Here To buy Swallow the Sun Stuff
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This is the Voice of Australia … an introduction to the wealth of music and culture that the Australian scene has to offer. Each month I will be writing about what’s new, what’s up-and-coming and what’s hot right now. Enjoy! Miss Black
FASHION
Sydney-based fashion label Gallery Serpentine has just created a new range of boudoir seamed corsetry which are ideal for Summer. The new corsets team up nicely with new satin and lace spats. www.galleryserpentine.com.au
Sydney designer Baroque and Roll released her latest work at a fashion parade at Deville's Pad in her original hometown, Perth. The label will soon be stocked in stores around the area. www.baroque-and-roll.com.

Melbourne jewelry designer William Llewellyn Griffiths from Metal Couture has released a range of engagement rings. William has gained international recognition by capturing the elements of tattoo art, gothic architecture and biochemical sci-fi. www.metalcouture.com.

ART
Akina is creating a new book named 'Charlie's Widow' which is available for pre-order at www.akina.com.au. All books are beautifully handmade with a limited edition of only 100. Priced ay $99, you'd better be quick as her previous books have sold out fast.

The Sydney Festival starts this month and has something for everyone. It includes, stand-up comedy, bands, theatre and art. Don't forget to check out the free events including the daredevil outdoor circus performances. www.sydneyfestival.com.au
Jerrem Lynch took over the big screens in the Northbridge Piazza in Perth in late December to early January. He played a feast of image manipulation, animation and motion graphics. www.jerrem.com
Brent Leideritz will be taking the 'It's Burlesque Tour' to his hometown of Adelaide on January 17. The tour gives everyone the opportunity to have a two hour shoot with a top burlesque photographer, hair, make up and prints. It is $750 per session. Book at http://www.eventbrite.com/event/455215562
CLUBS
Sydney rock club Black Cherry was the biggest one ever with over 500 people. Burlesque performers included La Viola Vixen from Brisbane and Gypsy Wood who has just arrived back from Paris. Rockers Torch La Monde also kept the crowd entertained. The next Black Cherry will be on March 20th. www.facebook.com/blackcherryclub

For the first time in five years, Sin nightclub in Perth opened it's doors for NYE. About 320 sinners enjoyed the dual level event with interstate DJs Bad Pauly and Robot joining the resident DJs. www.sin-club.com

Sydney club Black List will be celebrating their first birthday on January 15. To help celebrate two of Sydney's finest rockers Familia and True Love Chaos will be playing.
Brisbane club Faith celebrated NYE with the annual top 20 countdown. Number one was Swedish band Ashbury Heights 'Bare your Teeth', number two was Japanese band Aural Vampire with 'Darkwave Surfer' and number three was Grendel with 'Harsh Generation'. Faith is still on every Saturday at the Transcontinental Hotel. www.myspace.com/faithnightclub
For the first time in years, Sydney had a range of events on NYE. Infected Mushroom pulled a massive crowd at the Metro, Die Machine was at Taylor's on Central, while Club Blink ran the 'Blue Moon Party' at Space nightclub.
Sydney club Shallow Nation will kick off in 2010 at The Underground in Darlinghurst on January 23. Guest DJ Salem from Chrome will be joining resident DJs. www.shallownation.net
BANDS
Hard electro band Aesthetic Perfection will be touring Sydney, Brisbane, Melbourne and Perth in late January and early February. www.rivettingpromotions.com
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‘Demanufacture’ – Fear Factory: Roadrunner Records: 1995
Album Cover Review - Sarah Clow
The ‘Demanufacture’ artwork was created by Dave McKean, an illustrator; photographer; comic book artist; graphic designer; filmmaker and musician. It’s an interesting piece in that I find it to be almost a bit mysterious, the effect works remarkably well and I love the idea that the design is divided by a spinal column, with one side acting as a barcode, complete with numbers and the other as a broken rib cage. It’s an almost seamless transition.
I also admire the colour scheme and co-ordination, it’s not bright and in your face but at the same time it’s not dull and bland or too dark.
Dave McKean has also worked with other bands, creating artwork or the likes of Alice Cooper; Testament; My Dying Bride; Dream Theater; Paradise Lost; Machine Head; Counting Crows and Skinny Puppy, to name a few.
Click Here To Buy Fear Factory Stuff
‘Black Ice’ – AC/DC: Columbia: 2008
The ‘Black Ice’ artwork was designed by Joshua Marc Levy and I wanted to include this one here because I love the design layout and the fact that in almost every AC/DC album cover, Angus Young features somewhere on it, in this one, he is silhouetted and placed at the top centre of the design. I find that it is this that makes AC/DC, and their albums, so iconic to me.
There is also the fact I knew that this page would not be complete without at least a little bit of DC!!
I find the design quite intricate and the fact that Levy left it black and white, makes it a little easier to read, by leaving the bands name red makes it iconic of their main logo, it also puts the intricate design to the back, so that the name stands out.
The album was released with three special editions; as well as the one with the red logo, there was copies with yellow, blue and white text. The red is most effective, but the white and blue were just as effective, I found the yellow one a bit too bright on the black background.
I was lucky enough to be able to contact Levy when I was researching this cover for my A To Z coursework last year and he told me that he is a big AC/DC fan and was honoured to work for them.
Imagery from http://www.joshuamarclevy.com/md_02.html 31/12/09
Click Here To Buy ACDC Stuff
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How to give a damn good blowjob.
Show enthusiasm!
The best fellatio involves a giver who is totally into it, aroused, even a little worshipful. You may find it extremely erotic to pleasure your partner in this way. You may enjoy the stimulation to your lips, tongue, mouth, and hands as you perform a blowjob. Perhaps you get off on the feeling of power you have over your lover as you control his pleasure, or you may get a sexual charge out of feeling dominated by your lover as you serve him. Maybe you enjoy the sense of giving involved in this extremely intimate act. Whatever your scene, you absolutely, positively must be into giving this man a blowjob, otherwise no one will enjoy it.
Set the scene.
Although a quickie blowjob in an elevator certainly should have its place in your sexual repertoire, most men will enjoy a blowjob to the fullest in a more relaxed setting. The best oral sex begins long before you take off his clothes. Wear something you know he finds sexy on you. Help him to relax and loosen up, perhaps with a bath or a glass of wine together. Keep the lighting soft, light a few candles. Choose music that is not distracting, but rather blends quietly into the background. Turn the TV off …unless you want to add porn to the mix. If you do, you may find “compilation videos” or hard-core segments less distracting than porn laden with plot and dialogue.
Lay him on his back on a large bed with clean, crisp sheets. Slowly undress him. By taking your time, you build his anticipation and arousal to a tantalizing level. Make sure he has no distractions whatsoever. Turn off the phones, lock the door. Make sure everything you need is within easy reach: condoms, lube, sex toys, something to drink, something refreshing to eat (perhaps a bowl of fresh strawberries, chilled grapes, or orange slices). Let him focus entirely on his pleasure. If he touches you, it should be for his own enjoyment and not to pleasure you. Make it clear that he is in for a real treat.
Explore his whole body.
Start slowly. Touch, lick, and kiss your partner, not just the areas that turn him on but the ones that turn you on as well: the nape of his neck, his earlobes, his chest, his nipples, his round buttocks, feet and sensitive toes, thighs. Be vocal about the areas you adore, either by moaning with pleasure or simply telling him how hot you find his hard biceps, for instance. Talk dirty to him if you enjoy doing so. The idea is to let him know how much you relish contact with him. Keep exploring as you gradually work your way to his genitals. Try licking and sucking his fingers so he gets a preview of what is in store for his cock. Take your time and savor his entire body.
Use your whole body.
The best blowjobs involve much more than just your mouth, and focus on much more than just his penis. Use everything available to you to pleasure him. (Also, by using your whole body you show your own arousal and enthusiasm.) Use your mouth, lips, tongue, face, hair, hands, fingers and nails, chest, whatever occurs to you. Rub your genitals against his cock, his leg, or his hand in order to increase your own arousal during the blowjob. Let your body move naturally along with the movement of your mouth and hands. Allow it to be a sensual dance. He’s likely to enjoy the show.
Be Creative.
There is no script. So allow yourself to be swept away by the moment and do what feels good to you and your partner. Explore different ways of pleasuring your partner. Every man is different, and every encounter is different: the same man might love a gentle touch one night, but want more aggressive play another night. Don’t be afraid to try new things. But always pay close attention to the response of your lover. If you try something new and he squirms and moans with pleasure, keep at it. If not, move on to something else.
Do you have a lover who tends to be quiet and still?
How can you tell if he likes what you’re doing? Notice his testicles. When he is aroused, his testicles will rise within the scrotum, so rather than two balls hanging in a loose sac, the balls will be high against the base of the penis and the scrotum stretched tightly across them. Also, his cock will be very stiff and the head will swell even further and become rock hard. Pay attention to these signs that you are pleasing him.
Try different moods.
Be playful, intense, slow and sensual, or fast and frantic—or all these things in turns during a great blowjob. Relax and follow your instincts, and take your cues from your partner.
Condoms.
While oral sex can be a fulfilling form of contraception, it is not without risk of disease. Unless you are monogamous and have both recently tested negative for HIV and other STDs, plan to use a condom. Be sure to put it on his penis after he is hard and before you have oral, anal, or genital contact with his penis. Choose from an almost endless variety of condoms – colored, ribbed, flavored, whatever you like. Put a small amount of a petroleum-free lube (it won’t degrade the condom) on the inside tip of the condom before putting it on your partner. Learn to put one on with just your teeth, tongue, lips, and mouth (you can practice on a dildo.) Put the condom on in this manner as he watches, making plenty of eye contact with him as you do so. Drizzle lots of lube on the outside of the condom and rub it on with your hands.
Start slowly.
When you first encounter his cock, move slowly. Get acquainted with it. If it’s flaccid, place it in your mouth and explore it with your tongue. Delight in the sensation of it getting large and stiff within your mouth. With your hands, mouth, and tongue, explore every inch of it. Run your tongue along the shaft, note the texture, each vein and bulge. Run your tongue along his testicles, explore the difference in texture there, place a testicle in your mouth and suck. Observe his response. Some men adore having their balls licked and sucked.
Move back up the shaft slowly, working your way to the head. Remember to make eye contact with your lover. You may both find it powerfully erotic to gaze into each other’s eyes as you perform this intimate act. Use your tongue to explore the ridge where the head meets the shaft. Pay particular attention to the frenulum, which is the loose patch of skin on the underside of the penis where the head meets the shaft. Most men find this an intensely sensitive area. Run your tongue along it, first gently, then a little harder. Kiss it, suck at it. Gauge his response.
Move on to the head. Wet it with your mouth. Feel the smooth, hard surface against your lips, kiss it, lick it, tease it ever so gently with your teeth (if you are using a condom, be careful not to puncture it). Explore the hole in the center of the head with your tongue. This hole is called the meatus, and it’s where urine and semen come out of the penis. Some men enjoy stimulation to this area. Now slowly take the hard, sensitive head entirely in your mouth while using your tongue to stimulate the frenulum. If your partner is seated or lying down, and you are between his legs facing him, your tongue can easily stimulate the frenulum on the underside of the penis as you move the head in and out of your mouth. Pull the head out of your mouth and flick your tongue rapidly against the frenulum. Some men really get off on this sensation.
Begin to build and increase the action. Play around with different moves and see to what he responds, what his mood is for that session. When you find something he enjoys, stay with it for a few minutes or longer, then vary it. If he really loved something you did, you can return to it later. But never do the exact same thing for an extended period, as the effect of even the most wonderful sensations diminish with time.
Be slick.
At this point, you may want to apply lube to his nice erect cock, even if you are not using a condom. This process in itself can be quite entertaining. Drip the lube slowly along his head and shaft, and then use your hands to cover his penis with it. Be sure to choose a lube that is tasteless and odorless, or one whose taste and smell you like. We like the silicone lube pjur Eros Bodyglide. It is odorless, has no taste whatsoever, never gets sticky, and is highly concentrated so a little lasts a long time. Enjoy the feel of his slick rod in your hands and mouth.
Be resourceful.
Try not to have your head simply bobbing up and down on the shaft. This action may produce results, but we’re talking about more advanced skills here. You aren’t merely simulating intercourse. Your mouth and hands have a great many more ways to pleasure his cock than has a pussy or anus. So go ahead and stroke away, but vary it.
Stick out your tongue and say “ah.” Leave your tongue out of your mouth and use it to pleasure his frenulum as you stroke. Also by sticking your tongue out, you can take the shaft deeper into your mouth. Although the shaft has far fewer nerve endings than the head and the frenulum, many men adore the sensation of being taken fully into their lover’s mouth and even their throat. When you are stroking him with your mouth, don’t forget to use your tongue and lips to increase the sensation. Try sticking your tongue out so you lick his shaft as you stroke with your mouth, or use your lips and tongue to stimulate the frenulum as you pump away. If you moan with pleasure while his cock is in your mouth, he feels the delightful vibration of the sound in his penis. Long before “Hummer” was the name of a gas-guzzling jeep, it was known as a stimulating type of blowjob.
Try some moves.
Draw your lips into a tight circle, so there is almost a popping sound when the head moves in and out. Be extremely careful not to accidentally use your teeth once the action builds, as it can easily cause injury. You may carefully experiment with nibbling on the shaft, as some men find that erotic, but any use of teeth should be approached with very gradual and deliberate experimentation. Try sucking on his penis, creating a vacuum-like tightness and pressure. Don’t be afraid to suck hard, as many men enjoy that strong sensation. Suck on the head, or take the whole cock in your mouth and maintain the suction the entire time you slide it in and out of your mouth. Or take the opposite approach and take the penis loosely deep into your mouth, then move your head side-to-side in a figure eight so his penis is moving around inside your mouth. You can try long, hard strokes along the entire shaft with just your tongue or with your mouth, or
quick light strokes with your mouth just on the head. There are an almost infinite number of ways to pleasure a cock. Be open-minded and playful, and you may continually find new ways to please your lover even after many years together. (And believe me, if you become great at giving him head he’ll still be coming back for more after many years.)
Good vibrations?
Add vibrators to the mix for more variety of stimulation. Vibrators with interchangeable heads like the Eroscillator or Synergy Pleasure System can be used on virtually any of his erogenous zones, while your mouth and hands work elsewhere. The hands-free Layaspot can be laid across his testicles while you pleasure his cock with your mouth and use your hands on his anus or nipples. Hold a Pocket Rocket against his frenulum as you suck on the head of his cock and tug on his scrotum. You can turn your mouth into a hot, wet penis-vibrator by holding (or by having him hold) a vibrator under your jaw. Or consider the Tongue Joy, which is literally a strap-on for your tongue. If your tongue is pierced, you MUST try this amazing micro-vibe with its stainless steel barbell accessory. The possibilities are limited only by your imagination.
Give me a hand.
Never let your hands lie still and go unused while you give a blowjob! I cannot stress this point enough. Use them to stroke his shaft below where your mouth is, or you can hold his cock firmly at the base while you suck, even using your hand to firmly draw his cock into your mouth further. Your hands are also indispensable when it comes to testicular and anal stimulation.
Have a ball.
Don’t neglect his balls – another point I cannot stress enough! Testicular stimulation is highly erotic for most men. Try using your hands to pleasure his balls, or stroke his cock with your hand and use your mouth and tongue to lick and suck his balls. Most men enjoy having their testicles cupped or played with. Experiment with gently scratching his balls with your fingernails. It is natural for a man’s balls to rise when he is aroused, and most men enjoy it when you gather their balls in your hand and pull them firmly down, drawing them away from the base of the cock. (Be careful never to press on the balls themselves.) You can use your fingers to form a circle around the base of the scrotum to hold the balls down in the sac. Also try tugging hard on the bottom of the scrotum, pulling it down away from his cock. Proceed slowly and carefully, trying gentle pressure before increasing it if he seems to enjoy it. As in all sensitive
erogenous zones, there may be a fine line between pleasure and pain, and each man has his own threshold that may shift over time, so be attentive to his responses.
Knock at his back door.
A great many men enjoy anal stimulation. While your mouth is busy with his cock, gently touch the sensitive anus with the tip of your finger. If he does not discourage you, insert a lubed finger in his anus. If he responds positively, push your finger further into his rectum until you feel the prostate, which is the size and shape of a chestnut. Massage it with your finger. Use your other hand to press against his perineum, the area between the base of the penis and his anus. Between your two hands, one inside and one outside, you will be able to stimulate his prostate quite well. Many men are driven absolutely wild by this approach. If he enjoys rectal stimulation, you could take his cock in your mouth while facing him, then wrap your arms around his hips and use both hands to stimulate his rectum and anus. Hug him towards you each time you take his cock deep into your mouth and finger his anus at the same time. For many men, this is sheer bliss. Try stroking his cock with a male masturbator as you lick and suck his balls and finger his ass. If you really want to drive him crazy, have him insert an Aneros prostate stimulator or a vibrating butt plug while you suck his cock, then use your hands to stimulate his balls, nipples, and other areas. Talk about multi-tasking!
Give me a break!
If you’ve been at it a while and your mouth is getting sore, give your mouth a brief rest. Pull back and admire this gorgeous raging hard-on you created. Let your hot breath fall on his slick shaft. Stroke it lightly with your hands. Rub it against your cheek, kiss it lightly, hug it to your chest. If you have long hair let it fall over his penis. Stimulate him with vibes and other toys as you rest your mouth and hands. Enjoy this brief interlude before the action resumes.
The crescendo.
By now probably you both have worked up a head of serious sexual steam. You have two choices: You can continue to build the tempo and action until he cums. Or, you can bring him down a bit, then begin to build again. Although your lover may object at first to his runaway freight train of sexual energy being slowed down, in the end he will thank you for prolonging his delight.
If you feel he is approaching climax (i.e., he’s writhing on the bed, clutching the sheets, moaning like crazy, proposing marriage -- a sure sign you’re doing it right), then you might want to slow the action until he backs away from the imminent orgasm. Then slowly begin to build again. Many great dance and musical performances make use of this strategy, slowly building to near crescendo then backing off and starting slowly and quietly again. Try making use of it in your great performance in bed. Near-orgasm is a wonderful place to be! Try to keep him in that state for as long as possible, without frustrating him.
Some men cannot tolerate slowing down once they are near orgasm. However, often a more patient, experienced lover will adore this sort of dance. The process of building to near-orgasm, then having the action slow, with you whispering “not yet” into his ear in a husky voice as you slowly build the tempo again, may drive him wild. Be especially aware of your partner’s responses during this process. Sometimes a man is past the point-of-no-return, and you must help him come if he seems unable to slow down. Also, even the most patient of lovers will eventually want to enjoy the grand finale. So try to pick up on signs that he is ready to cum.
The moment of truth.
Assume the position. Any position that allows you to reach his cock with your mouth is game. But when you’re ready for the finale, if you’re not already in the ultimate position of sexual worship, kneel between his legs. When you sense he is ready to cum, quicken the pace. You should be pumping fast and furiously with your mouth, or your hand if you can’t move fast enough with your mouth. Timing is everything; at this point, DO NOT slow the pace no matter how sore or tired your mouth or hands become. Keep the rhythm going and don’t stop. Make sure you pace yourself during the blowjob so that you can finish with a sprint. Virtually all men enjoy rapid-fire pumping at the end, but some men like it light and others like a firmer hand. Experiment with pressure and speed.
Don’t forget his balls!
Many men find testicular stimulation critical as they near orgasm. Some even enjoy having their scrotum tugged hard as they approach climax. Others are driven over the edge by anal, rectal, and/or prostate stimulation. You’ve spent a lot of time learning what he likes, now is the time to give it ALL to him at once!
As he nears orgasm, you will notice changes. His breathing may become quick and shallow, the sounds he has been making may change abruptly, he may arch his back and tense his muscles; he may throw his head back and clutch at you or the sheets. His balls rise so much they become difficult to move with your hand, his shaft will be rock hard, and the head of his cock will become so huge and engorged it feels as if it will burst. Do not stop pumping, and do not slow down! Keep pumping as long as he will let you. For many men the orgasm will be more intense and prolonged if you continue to stimulate them throughout the climax. At some point following orgasm, his cock may become so acutely sensitive that he will only enjoy the gentlest touch, if any. Pay attention to this sudden change.
Swallowing.
Most men enjoy it when you swallow their cum. Men who have strong feelings for their lovers in particular may report feelings of intimacy and acceptance when their lovers swallow. Although many partners are happy to oblige, some people find it difficult to do. Remember that it is a very small volume of liquid, about a teaspoon or so. The taste of semen is fairly mild, but can vary tremendously from man to man, and even for the same man at different times. If you have difficulty swallowing, you may try holding your breath and swallowing quickly. Some people find deep throating at the moment of ejaculation helpful, as he shoots his load so deep in your mouth that it bypasses the taste buds. If you absolutely cannot bring yourself to swallow under any circumstances, you can try to discreetly spit the semen into a tissue or towel. Or better yet, pull his cock out of your mouth at the last moment and have him ejaculate on your face or body, then make a little erotic show out of spreading his cum onto your body with your hands. Of course, if you are using a condom and you keep it on while he comes, you don’t have to worry about any of this!
Afterward, some men enjoy it if you “milk” their cock by squeezing at the base and then sliding your hand up the shaft toward the head, getting out every last drop of cum and lapping it up. Other men are so sensitive after coming that they cannot stand to be touched. Most enjoy at least having their balls cupped by your hand.
What if he doesn’t come?
Not every blowjob will result in ejaculation, and that’s not necessarily a bad thing. Sometimes a blowjob will be part of many sexual activities you enjoy together in a given session. Not all men find it easy to ejaculate, although they may enjoy oral stimulation tremendously. If a man ejaculated recently, he may be unable to come again for a while. As a man ages, ejaculation typically becomes a less frequent occurrence and produces a lower volume of semen, although an older man may have at least as much sexual activity and enjoyment as a younger man. Fatigue, depression, distraction, and certain medications may interfere with a man’s ability to come. Remember, the idea is to enjoy yourselves; there doesn’t have to be a goal or end-point.
Do your homework.
If you are serious about learning to give a great blowjob, there are plenty of resources out there. Many books deal exclusively with how to give blowjobs. Prefer to see the action live? Try a how-to video, or rent porn that focuses exclusively on men receiving blowjobs. Not everything may appeal to you and your partner, but you are likely to discover something new to enhance your experience.
It seems obvious, but remember to talk to your partner and ask him what he has enjoyed about your encounters, or what he might like to try. Encourage him to talk to you and guide you while you are giving him a blowjob. Ask him to let you watch him masturbate – you will likely learn something from watching how he gets himself off and you both may enjoy the performance.
However, don’t be afraid to try things that are new to both of you. You may discover something that your partner has never experienced that drives him wild. Try giving a blowjob blindfolded and with your hands tied behind your back, so that you have to focus completely on using your mouth in the most creative way possible. Or blindfold him and tie him spread-eagle then torture him with pleasure, keeping him just at the brink of orgasm. Dress as a nurse and give him a sponge bath and rectal exam, or play a naughty schoolgirl and have your “teacher” spank you and make you get on your knees and pleasure him. Experiment with different positions, or scenarios where you role-play, complete with costumes. Vary your approach. And of course practice, practice, practice. Your eagerness to please is likely to appeal to him.
A note to the recipients of all this blowjob attention:
If you want your lover to give you lots of head (and what man doesn’t!), then make the area as appealing as possible. Make sure you are freshly bathed, and seriously consider shaving your shaft and balls. You are likely to feel sensitized if these areas are clean-shaven, and your lover will appreciate not having to contend with stray hairs as he or she pleasures you. Finally, your lover is likely to be generous in bed if you, too, are generous in bed. So don’t forget to reciprocate!
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The Suicide Club by Robert Louis Stevenson
By Kimberly Warner-Cohen
Set in his contemporary London and Paris, the interrelated set of three short stories is one of Stevenson’s earliest works, and dabbles in what would be his later affection for the Victorian macabre and suspense to rival only Poe.
At 59 pages, Suicide Club (Dover Thrift Edition’s subtitle, “Unabridged”, seems like a poor attempt at cleverness) is a quick read. Set in his contemporary London and Paris, the interrelated trio of sketches is one of Stevenson’s earliest works, and dabbles in what would be his later affection for the Victorian macabre and suspense to rival only Poe.
“Young Man with the Cream Tarts” opens and is the strongest of the three. In it, the Prince of Bohemia is bored and disguises himself as a commoner to mingle with the lower classes, where he encounters a man giving away pastries. He follows what he first imagines is a joke, but then discovers it is the pretence for an entrance into the secret Suicide Club. The group is hiding in plain view of proper society, where the prince and his guard witness what happens when one member takes the rules too lightly.
“Physician and the Saratoga Trunk” is about an American residing in the Latin Quarter who is taken with a woman with the exotic name Zephyrine. He is invited to a ball by an anonymous admirer, which leads to an unfortunate encounter. In “Adventure of the Handsom Cab” a lieutenant is picked up by a strange carriage on a lonely London street and dropped off at a stranger address.
The main issue with Suicide Club is Stevenson’s ambitiousness with the plots in the second and third stories, forcing contrived circumstances to tie up loose ends instead of delving into the far more interesting character construction he’s set up. Still, with lines like, “Now, we know that life is only a stage to play the fool upon as long as the part amuses us”, it’s not a bad way to pass a rainy afternoon.
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Alexander McQueen- An artist genius or just plain GaGa!!
You may or may not have heard of English designer Alexander McQueen but he is making a big impact on the fashion circuit with his unusually curved boots and Oriental-styled heels!
Hitting the catwalk in the later months of last year was his spring/summer collection for 2010 which raised a few eye brows (including mine) with a few ‘confused-but-amused’ expressions as we saw the models strut down the catwalk in his kooky inventions.
 
Do they look familiar to you?
Well these images might tweak a few memories and trigger déjà vu, but they made an infamous appearance in Lady GaGa’s Music Video (Bad Romance), a few times, worn by the vibrant singer herself!
 
Now I don’t know who would wear these, they remind me of some thing the ever-aging spice girls would wear, like an upgrade from those hideous pumps that they use to wear in the 90’s!
The patterns are very alluring and attractive to say the least (well just put glistening sequins and shiny animal print on some shoes and I’m pretty sure that most women would go crazy for them!), but the overall appearance is semi-hideous.
I personally don’t understand the concept of the ‘curved boot’ as they remind me of something you’d parade around about in at a 70’s glamour disco.

Yet I shamefully admit that I am drawn to the blue-metallic heels. The colour is very attractive to me, as is the over-all style of them. They seem to resemble something that a female-villain would wear in your typical hi-tech martial arts film. (Yup I can just imagine some bad-ass chic parading around in a gangsters hideout in skimpy cat suit wielding two daggers in her hands, as she performs high kicks, drilling holes into her opponent’s eye!

I do apologies for my very descriptive approach on these particular heels but that’s all I can see them being used for as (to me) they appear not at all practical nor suitable for parading about the town due the ‘heavy’ and ‘weighed’ down appearance!
I think that they seem more suitable for display purposes only and should earn a rightful spot and the V&A museum for their over-all uniqueness and gaze-ability.
To rap this review it, whether you’re a fan of these shoes or not, you have to agree that McQueen is a creative genius!
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