TEETH OF THE SEA ARE SET TO PLAY A LIVE SCORE AT THE SCIENCE MUSEUM AS PART OF THE “APOLLO’S MOON SHOT” SCREENING THIS JUNE

 Teeth Of The Sea are delighted to be performing at the Science Museum in London for the ‘Apollo Moon Shot’ screening on June 21st. ‘Apollo’s Moon Shot’ looks back on one of the most important leaps forward in human history, exploring the journey from America’s first manned orbit to the last man on the Moon. The six-part series premieres on 17 June on the recently launched Smithsonian Channel UK and airs weekly throughout June and July.

 
The screening shall be an abridged feature-length cut of the documentary series, with a live score performed by Teeth of the Sea and introduced by famed American aviator and NASA ‘Mercury 13’ astronaut trainee Mary Wallace ‘Wally’ Funk.
In February of this year, Rocket Recordings released Teeth Of The Sea’s coruscating new album Wraith. Read on for more information about that below., as well as further live performances on the horizon in support of the album.

Tracklist:
01 I’d Rather, Jack (4:55)
02 Hiraeth (7:08)
03 Burn Of The Shieling (4:41)
04 Fortean Steed (4:00)
05 VISITOR (8:22)
06 Her Wraith (6:38)
07 Wraiths In The Wall (0.26)
08 Our Love Can Destroy This Whole Fucking World (3:37)
09 Gladiators Ready (7:10)

Order from Rocket Recordings via Bandcamp here and stream digitally here

Who can say when, or how, the Wraiths began to make their presence felt. Yet when Teeth Of The Sea entered their base of operations The Facility to begin work in Autumn 2017 on their fifth album – the follow-up to 2015’s Highly Deadly Black Tarantula – it seemed hard to deny that these ghostly interruptions were at play. By November, all three members were in agreement that the disturbances were tangible and impossible to ignore.

It wasn’t just the more familiar spectres of the band’s collective and overactive imagination – the unruly morass of ‘80s horror and sci-fi movies, industrial ballast, 2000AD terror, ‘70s-damaged experimental brinksmanship and atmospheric grandeur that they’d somehow conspire to sculpt into coherent structures. For as much as the band were determined to create a vivid and maximalist work that threw all of the wildest imagination into sharp relief, what resulted summarily went beyond anything they could have expected.

Moving down to Soup Studios, located in the liminal zone of East India Dock on the Thames, these spectres contributed to influence a collection of tracks that soon began to represent a fearsome and transporting marriage of the ferocious and the melancholic. Alchemised trash, kitchen-sink surrealism, out-of-order intensity and ritualistic overtones collides and colluded into a monstrous hybrid – this was a world where Tetsuo-The Iron Man would happily share space with Judee Sill, and where the acid guitars of Helios Creed would happily conspire with the Acid Rock of Rhythm Device. “Hiraeth”- its title deriving from a Welsh word meaning a longing for home – may be the most richly cinematic track the band has ever created.

Building from a bleak and beatific Morricone-esque soundscape haunted by melancholic brass, it builds to a furious and dramatic crescendo underpinned by a merciless electronic pulse and dub-tinged disorientation alike. “I’d Rather, Jack” sees Erol Alkanusing all the tools at his Phantasy Sound studio to manifest its strains into an angular banger equal parts mariachi elegy and electro euphoria. Percussionist Valentina Magaletti (Tomaga/Raime/Vanishing Twin) brought her unique talents to the Reichian (Steve/Wilhelm) epiphany of “VISITOR”,Chlöe Herington (ChromeHoof/Knifeworld/Valve) and Katharine Gifford (The Wargs/Snowpony/Stereolab) were also on board to assist this unholy assemblage of inspiration, irreverence and otherworldly infiltration.

Teeth Of The Sea are frankly none the wiser as to what these disturbances meant and what caused them – a fissure in the astral plane, psychic disturbances brought on by societal collapse, or just a collective hallucination. Whichever, they can’t help but be grateful that these voices and visions made their mark on this record, and can only hope the music has allowed them safe passage to the beyond.

LIVE DATES IN 2019:
JUNE
07 / Glasgow / Broadcast
08 / Newcastle / Star & Shadow Cinema
21 / London / Science Museum / IMAX
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